шрифты для word латинос

Daniel Berg's commercial product for phonetic transcription is "Just As Spoken" v2.0. For Winword-, Excel- and WordPerfect documents. Phonetic TrueType fonts included. [ ]

Argentinian (Brazilian?) editorial designer. In 2012, she made an exceptionally graceful free text typeface that should withstand small sizes. Called , the two-weight family was inspired by the type found in the 1572 first edition of "The Lusiads", a Portuguese epic poem by Luís Vaz de Camões. Award winner at Tipos Latinos 2010 for her text and IPA face (done with Pablo Ugerman). The latter typeface appeared in 2012 at . [ ]

Roman Schneider's page with a downloadable SIL-IPA font. [ ]

Juan-José Marcos García (b. Salamanca, Spain, 1963) is a professor of classics at the University of Plasencia in Spain. He has developed one of the most complete Unicode fonts named ALPHABETUM Unicode for linguistics and classical languages (classical&medieval Latin, ancient Greek, Etruscan, Oscan, Umbrian, Faliscan, Messapic, Picene, Iberic, Celtiberic, Gothic, Runic, Modern Greek, Cyrillic, Devanagari-based languages, Old&Middle English, Hebrew, Sanskrit, IPA, Ogham, Ugaritic, Old Persian, Old Church Slavonic, Brahmi, Glagolitic, Ogham, ancient Greek Avestan, Kharoshti, Old Norse, Old Icelandic, Old Danish and Old Nordic in general, Bengali, Hindi, Marathi, Phoenician, Cypriot, Linear B with plans for Glagolitic). This font has over 5000 glyphs, and contains most characters that concern classicists (rare symbols, signs for metrics, epigraphical symbols, "Saxon" typeface for Old English, etcetera). A demo font can be downloaded [see also ]. His Greek font Grammata (2002) is now called . He also created a (medieval handwriting on parchments): Capitalis Elegans, Capitalis Rustica, Uncialis, Insularis Minuscula, Carolingia Minuscula, Gothica Textura Quadrata and Humanistica Antiqua. (2008-2011), in which Marcos gives an enjoyable historic overview. Alphabetum is not Marcos's only excursion into type design. In 2011, he created two simulation fonts called and which imitate Hebrew and Arabic calligraphy, respectively. (2012) is a pair of Latin fonts that emulate Old Church Slavonic (old Cyrillic). In 2013, he created , a cuneiform simulation typeface. [ ]

Lithuanian professor at the University of Vilnius who in 1997-1998, together with Petras Skirmantas, created the Lithuanian fonts Fontra1italic, Fontra2italic, Fontra3italic, Fontra4italic, Fontra5italic, Fontra6italic, Fontra7italic, Fontra8italic, Fontra9italic, IndoBalt-0-italic, IndoBalt-1-italic, IndoBalt-2-italic, IndoBalt-3-italic, IndoBalt-4-italic, IndoBalt-5-italic, IndoBalt-6-italic, Fontra0italic, Fontra0Normal, Fontra1Normal, Fontra2Normal, Fontra3Normal, Fontra4Normal, Fontra5Normal, Fontra6Normal, Fontra7Normal, Fontra8Normal, Fontra9Normal. These fonts were designed for (phonetic) transcriptions of Indo-Baltic languages. [ ]

A bunch of truetype fonts with many accents, probably for some German dialect: ALDlight, ALD1Italic, ALD2Italic, ALD3Italic, ALD4Italic, ALD5Italic, ALD6Italic, ALD7Italic, ArialMT, Arial-Black. [ ]

Akkphon (1999) is a free phonetic font found at the Hungarian Akadémiai Kiadó. [ ]

Paul Rädle's great jump page for foreign fonts and phonetic fonts. [ ]